There are few performers who leave me gob smacked and slack-jawed in a really fan-boy way. I can usually maintain an intelligent conversation with a singer/songwriter that I admire, but there are some that just leave me babbling like a fool, I’m such a fan. Alex Chilton was one of those performers.
My Favorite Scorgies Shows
It’s been almost thirty years since the Rain Parade played Scorgies. That was an incredible night, of course. Absolute Grey was the opener, and Mark Theobald was behind the mixing board. The band at the gig featured Matt Piucci, Steven Roback, John Thoman, Will Glenn & Eddie Kalwa. Years later, Lynne and I seized the opportunity to catch up with Matt, Steven & John at their reunion gig in Atlanta at the Earl on January 19th, 2103. They were reuniting that night as part of a fund raiser for Bobby Sutliff (of Windbreakers fame) who had been in a horrible car accident in June of 2012.
Don Scorgie was fortunate to have to have a great sound system in the club, and one of the best guys at the mixing board was Alan Paprocki, AKA the legendary Pee Wee (an oxymoronic nickname ‘cuz he was sooo tall). Pee Wee mixed for Personal Effects, Delroy Rebop, the Press Tones, New Math and other national acts. . Fortunately for us, he also ran a line out to a tape deck and made some killer tapes. I’ve been tasked with digitizing the Delroy Rebop & New Math tapes. So, without further delay, here’s a smidgen of New Math live on 3-25-1983:
New Math, Die Trying: [audio:http://www.rockinrochester.com/mp3/dietrying.mp3]
From the lens of Dan Pusateri, enjoy!
Tags: New Math
Really enjoyed the show. Left without getting your #. You know us unemployed have to work together.
Don’t let the hair fool you I’m old enough.
Lou the Italian
First off, let me just say thanks to everyone involved with the Scorgies Reunion. I am sure my fellow Press Tones feel the same way (although some have trouble typing). Peter had our set planned out pretty good, clocking in at around 42 minutes, which would have allowed us a brief encore. For whatever reason, we ran long, and got yanked off the stage (set times were pretty rigid, and I’m not complaining, just letting you know), before we got the chance to do another number. So for your listening pleasure, here’s a live cut from when we played Abilene over the summer. It’s a song we usually finished the night with, called “Go Insane.” Back in the old days, Peter would take the solos, and at the end of the song, just leave his guitar in front of his amp until it started feeding back and annoying people. And then he’d wait some more before unplugging it. Flash forward, and now I do the lead work, and on this occasion, I started bending the strings pretty far, and so Peter started doing whale noises through the mic. It was a hoot.
Anyway, you paid for it, so here’s the song. . .[audio:http://thepresstones.com/mp3/insane.mp3]
Somehow I wound up with a back stage pass for the Scorgie’s Reunion show at the German House in Rochester, NY. I took a few photos and had good time. It was really great to see everyone.
no images were found
Personal Effects super fan Ed Richter shot some great footage from stage side during the Personal Effects set. Great Pics, Ed!
Ok, all right… I’ll admit it. Like every other damn guy at Scorgies I had a crush on Peggy Fournier. I had seen the Hi-Techs live many times and oh my god there was Peggy.
One of my best friends from the late 1970’s-1980’s was Bob Martin; we were Beatles collectors and then it happened. The Hi-Tech’s changed their name to PERSONAL EFFECTS. I thought I was in. I asked Bob what the deal was with Peggy. he said “forget it, MAN! Our drummer is her man!” OH, LOL!
Well anyway, Personal Effects went on to produce the greatest local music of all time. Yes, they were the tightest, they had the best instruments and yes! They were the best.! I guess this makes me a Personal Effects Fan Boy.
I love you Peggy, Paul, Bernie and of course my close friend Bob Martin.
More photos from the show after the jump:
Just like in the old days, the infamous Scorgies videographers were in full force at the reunion. While Russ Lunn was shooting hi-def in the balcony, Ed Richter was taping from the stage and from the floor. Ed sent me this yesterday but, alas, I was too tired to post it.
Here’s the best part we shot a multiple camera video of it all. With the grace of the gods it will be available soon. Special thanks to Russ Lunn for the master shots of the show. What Can I say? If you were alive and at Scorgies in 1982 and you were at the show last night you would understand my feelings.
ED RICHTER 11-22-08
(More photos after the jump)
Tonight we played the Scorgies Reunion, along with New Math and The Press Tones. And it was a blast. All three of us played our asses off. The Press Tones played first and just absolutely rocked the house. Jeff Laben of the Cliches got up and did Riverview Restaurant with them and it was just like being at Scorgies again. The Press Tones were in great form – tight, exciting and showcasing their songwriting prowess.
New Math was up next. They opened with We Walk Among You (at least that’s the way I remember it), and I was dumbstruck. The band sounded great musically, but when the vocals started I really had to look twice to see if it was Kevin Patrick singing. I mean, I knew it wasn’t, but the fellow that was up there REALLY channeled Kevin’s vocal sound, style, delivery and tenor. Scary, almost. But before New Math, The Targets, with Sue Metro, did a couple of songs. Lots of fun. I’ll confess that they were a time before I became part of the Scorgies scene, but is it ever too late to become a fan?
We (Personal Effects) hit the stage pretty close to 10. First of all, it felt just as relaxed and natural as it always did when we played. I don’t know what it is about this band, but I’ve never felt nervous playing with them – just excited and joyous. And tonight, that seemed to come through. We played one of the best sets we’ve ever played and it didn’t matter that it was 20 years later.
The one really cool thing is that, for me, it brought closure to a time that sort of never came to a proper end, but lets it remain timeless. Tonight, it was great to have the last gig we never had. Great to run into long-not-seen old friends. Great to still be able to rip it up and pull off a great set. Tonight it was clear – we are just a rock and roll band who really loves playing music together. Sure, we may play again as Personal Effects. But if we don’t, we just closed the perfect door.
Thanks to the entire community for the opportunity to do this – with special kudos to Tom Kohn, The Press Tones, New Math, the other members of Personal Effects (past and present), Duane Sherwood, Stan Merrill and everyone who came together to pull this off tonight.
PS: I just wanna give a special thanks to Ken Frank who is the bass player in Personal Effects (and Margaret Explosion). He REALLY brings great bottom to both bands and we could not have done it without Ken.
Photos by Nicholas Gerber